'Pleasure Island' is British composer Tim Parkinson's disquieting and joyous Slip debut: play time in end times.
Titled after the Disney adaptation of 'Paese dei balocchi' (or the Land of Toys) in Carlo Collodi's 'The Adventures of Pinocchio' (1883), 'Pleasure Island' is a metaphysical playground of organic and digital cohabitation, its inhabitants pacified by toys and comforts.
Alongside Dawn Bothwell, Suze Whaites, Laurie Tompkins, and Francesca Fargion, Parkinson exerts an uncannily emotional pull from an unlikely but potent alliance of ultra-minimal aesthetics, dead-beat drums, junk electronics, and mechanised mantras.
Voices are hemmed in by electronic sound. People buffeted around by machines. Words surrounded by garlands of digital interference. Time repackaged as countdown.
Tim's trash-opera 'Time With People' continues to be performed around the world, past champions of which include Object Collection, a.pe.ri.od.ic, Edges, and NEC, and he is a co-curator of London's longstanding 'Music We’d Like To Hear' series. Despite decades of fiercely independent production, this is his only piece conceived of first and foremost as an album.
'Pleasure Island' [SLP053] is available from May 2019 on LP and download. Mastered by Giuseppe Ielasi. Artwork by Rick Pushinsky. Distributed by Boomkat.
credits
released May 23, 2019
Music and Words by Tim Parkinson
Mastered by Giuseppe Ielasi
Artwork by Rick Pushinsky
Tim Parkinson keyboards, stylophones, drums, percussion, midi, electronics, sounds, vocals
Francesca Fargion vocals on Happy Birthday
Dawn Bothwell vocals
Laurie Tompkins vocals
Suze Whaites vocals
supported by 6 fans who also own “Pleasure Island”
A really well curated selection of pieces spanning many different eras and styles. The beautiful playing of Curtis brings out the best of the composers featured here. Highly recommended. tctclr
supported by 5 fans who also own “Pleasure Island”
Amazing album that really opened my eyes because Laura takes an instrument I thought was completely exhausted in terms of musical exploration and experimentation and completely proved me wrong. If the violin can still be improved upon in 2020, there are no limits. loljkvid
Malmö-based twins Inez and Ella Johansson use minimalist instrumentation and close harmonies to make catchy, weird indie pop. Bandcamp New & Notable Mar 30, 2023
Swirly tropicália-inflected psych rock from Guadalajara, Mexico's UAY sounds like Thee Oh Sees mixed with Caetano Veloso. Bandcamp New & Notable Mar 30, 2023